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Posted by / 06-Dec-2019 06:56

A Defence of Poetry” (1821, published 1840) that “the most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry,” and that poets are “the unacknowledged legislators of the world.” This fervour burns throughout the early Ode to the West Wind” (1819) makes clear.

The gloomy and misanthropic vein was further mined in dramatic poems such as (1827).Walpole’s innovation was not significantly imitated until the 1790s, when—perhaps because the violence of the French Revolution created a taste for a correspondingly extreme mode of fiction—a torrent of such works appeared.The most important writer of these stories was Ann Radcliffe, who distinguished between “terror” and “horror.” Terror “expands the soul” by its use of “uncertainty and obscurity.” Horror, on the other hand, is actual and specific.The sentimental tradition of Richardson and Sterne persisted until the 1790s with Henry Brooke’s (1798).Novels of this kind were, however, increasingly mocked in the later years of the 18th century.

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Walpole’s intention was to “blend” the fantastic plot of “ancient romance” with the realistic characterization of “modern” (or novel) romance.